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A Good Lord Returns

Published on Mar 7, 2014 by Luke Hunt

Three decades after the release of his movie The Killing Fields, producer David Puttnam returned to a much different Cambodia, where he was feted by local filmmakers and a contingent of foreign diplomats and academics for a seminal work that redefined genocide in the public conscience.This column was written by Luke Hunt for The Diplomat.Among the more amazing aspects associated with the legacy of the movie, Puttnam said, was how the title had become synonymous with genocides around the world – although there were earlier indications that the film would leave its mark.Shortly before its release in 1984, a special screening was organized for the families of Dith Pran, who worked with Sydney Schanberg at The New York Times and....

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